Why did a veteran like Singeetham Srinivasarao start making his films on the lines of past films? In his comeback film, the director seems to have shot scenes that remind us of the English film 'Big Mama's House' - from the cooking and Karate scene to the delivery and birthday scene, most of them are painful reminders. It looks like the 'compromise' bug has bit him too. In this mediocre film, Jaggesh's dialogue delivery (sometimes with a double-meaning) is the only redeeming feature. The music is atrocious and the cinematography is below average. Laila Patel, the Mumbai girl, looks taller than the hero Jaggesh and seems at a loss in front of the camera. The Singeetham Srinivasarao who made the memorable 'Pushpaka Vimana' is not to be seen. The film is very mediocre.
Producer: Smt. Parimala Jaggesh
Screenplay, Direction: Singeetham Srinivasarao
Cinematographer: Seenu

As a result of the ego clash between senior and junior cops, a junior - Roy, is given the difficult task of searching for a suitcase containing two CDs with very vital information about terrorists. Roy quickly gets rid of 'Doddamma' for sometime, in order to impersonate Doddamma and gain entry into his house and search for the suitcase. In the guise of Doddamma, Roy faces a series of hurdles... Baby the lover of the real Doddamma, his senior cop, the heroine and Nawab, the underworld don who visits him on Doddamma's birthday. The situation becomes worse with every incident causing greater confusion. Does he manage to get the suitcase or not? Watch 'Make Up'.